Ethan Iverson, piano
Reid Anderson, bass
Dave King, drums
with special guest
Joshua Redman, tenor saxophone
For the past ten years The Bad Plus---Reid Anderson, Ethan Iverson and David King---have broken down the walls of jazz convention and created an uncompromising body of work. Few jazz groups in recent memory have amassed such acclaim, and few have inspired such controversy. Their belief in the band ethos and their personal brand of avant-garde populism have put them at the forefront of a new instrumental music movement, drawing audiences both traditional and mainstream. While the bulk of their output has been original music, they have deconstructed songs in the pop, rock as well as the country and classical music idioms.
The upcoming release NEVER STOP is the first album by The Bad Plus to consist entirely of originals. Recorded in Minnesota with a live, stripped-down sound, NEVER STOP showcases the band's range as well as its three distinct personalities. From gentle and melodic to fierce and abstract, from swing to 80's techno, NEVER STOP is tied together by a group sound that embraces diversity as strength.
Ten years ago, not one of these musicians could have predicted where The Bad Plus was going, how long it would last, or what it might become along the way. What they were sure of, though, was a fierce sense of commitment that has blossomed into artistic success.
"We've always believed in our ideas," says Anderson. " We've always believed in making music that sounds like us, and we always thought there would be an audience for it."
NEVER STOP showcases the band's range as well as its three distinct personalities. From gentle and melodic to fierce and abstract, from swing to '80s techno, NEVER STOP is the result of a group sound that embraces diversity as strength.
Joshua Redman is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff.
In 1991 Redman graduated from Harvard College summa cum laude, Phi Beta Kappa with a B.A. in Social Studies. In November of that year, five months after moving to New York, Redman was named the winner of the prestigious Thelonious Monk International Saxophone Competition. This was only one of the more visible highlights from a year that saw Redman beginning to tour and record with jazz masters such as his father, Jack DeJohnette, Charlie Haden, Elvin Jones, Joe Lovano, Pat Metheny, Paul Motian, and Clark Terry. For Joshua, this was a period of tremendous growth, invaluable experience and endless inspiration.
Now fully committed to a life in music, Redman was quickly signed by Warner Bros. Records and issued his first, self-titled album in the spring of 1993, which subsequently earned Redman his first Grammy nomination. That fall saw the release of Wish, where Joshua was joined by the all-star cast of Pat Metheny, Charlie Haden and Billy Higgins. He toured extensively with Metheny throughout the latter half of that year.
Over a series of celebrated recordings including Spirit of the Moment/Live at the Village Vanguard, Freedom in the Groove and Timeless Tales (for Changing Times), Redman established himself as one of the music’s most consistent and successful bandleaders, and added soprano and alto saxophones to his instrumental arsenal.
Redman began to channel his jazz sensibilities through new instrumentation and formed The Elastic Band, a flexible, electrified, groove-based trio built on an ongoing collaboration with keyboardist Sam Yahel and drummer Brian Blade.
In 2000, Redman was named Artistic Director for the Spring Season of the non-profit jazz-presenting organization SFJAZZ. Redman and SFJAZZ Executive Director Randall Kline had an idea that The New York Times called a “eureka moment”; the creation of the SFJAZZ Collective, an ensemble distinguished both by the creativity of its members and a unique primary emphasis on composition.
Starting in late 2009, Joshua will be performing with a new collaborative band called James Farm featuring pianist Aaron Parks, bassist Matt Penman, and drummer Eric Harland. The band infuses traditional acoustic jazz quartet instrumentation with a progressive attitude and modern sound, creating music that is rhythmically and technically complex and at the same time harmonically rich, melodically satisfying, and emotionally compelling.
131 W. 3rd St
New York, NY 10012