An album entitled Renaissance is long overdue for the widely acclaimed Renaissance Man Marcus Miller. In among the most enviable careers in music, Miller is a two-time GRAMMY®-winner and the composer/producer of ten critically acclaimed and genre-defying albums (seven studio and three live). Even the most devoted follower may be astonished to realize that Renaissance is only his eighth studio project since his 1983 debut, Suddenly, considering the abundance of occasions Miller’s name has appeared within album credits and that he has dazzled with performances, compositions and productions – in the company of some of the world’s most respected and accomplished players and superstars - from the mid-`70s to the present.
As a multi-instrumentalist, Marcus is highly proficient as a keyboardist, clarinetist/bass clarinetist and, primarily, as a world-renowned electric bassist, topping critics' and readers' polls for three decades. His résumé as an A-list player brims with over 500 recording credits as a sideman on albums across the spectrum of musical styles: rock (Donald Fagen and Eric Clapton), jazz (George Benson, Dizzy Gillespie, Joe Sample, Wayne Shorter and Grover Washington, Jr.), pop (Roberta Flack, Paul Simon and Mariah Carey), R&B (Aretha Franklin and Chaka Khan), hip-hop (Jay-Z and Snoop Dogg), blues (Z.Z. Hill), new wave (Billy Idol), smooth jazz (Al Jarreau and Dave Koz) and opera (collaborations with tenor Kenn Hicks and soprano Kathleen Battle).
As a film music pro, Miller rose from writing the go-go party classic "Da Butt" for Spike Lee's "School Daze" to becoming the go-to composer for 20+ films (from the documentary “1 Love” to the animated children’s fable “The Trumpet and The Swan” to the Eddie Murphy/Halle Berry classic “Boomerang”).
As a producer, writer and player, he was the last primary collaborator of jazz legend Miles Davis, contributing the composition and album “Tutu” to the canon of contemporary jazz music. The breadth of his collaborative talents were best showcased in his work with the late, great soul man Luther Vandross, contributing to well over half of his albums as a producer, composer and/or player on a string of hits capped by "Power of Love/Love Power" for which Marcus won his first GRAMMY®, 1991’s R&B Song of the Year.
And starting with David Sanborn's 1980 album Hideaway and its follow-up Voyeur (for which the alto sax giant won a Grammy performing Marcus' composition "All I Need is You"), Marcus not only left an indelible mark on Sanborn’s distinctive sound, he laid the often-copied blueprint for the coolest of contemporary jazz sounds.
Style, soul and intense professionalism have set Marcus Miller at the top of his game for three decades now. Marcus was born in 1959 and raised in a musical family that includes his father, William Miller (a church organist and choir director) and jazz pianist Wynton Kelly. By 13, Marcus was proficient on clarinet, piano and bass guitar, and already writing songs. Two years later he was working regularly in New York City, eventually playing bass and writing music for jazz flutist Bobbi Humphrey and keyboardist Lonnie Liston Smith. Miller soon became a top call session musician, gracing well over 500 albums, recording with musicians and in countries around the globe - from Frank Sinatra and Elton John to Bill Withers and LL Cool J.
In the midst of all of his tours, Miller still miraculously made time to continue working in the studio, co-producing George Benson’s concept album Songs & Stories and Dave Koz’s GRAMMY®--nominated CD Hello Tomorrow. He also co-produced a track with Herbie Hancock and internationally renowned singer Juanes entitled “La Tierra” for Hancock’s ambitious The Imagine Project.
Now, duly fortified and deeply inspired, Marcus Miller returns to composing and exploring new music of his own on Renaissance with a sharper focus than ever before, a new band of curious and like-minded young musicians, and a mission to travel the world – country by country, city by city, venue by venue – to take the message of this musical movement straight to the hearts, souls and minds of the people.
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