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STANLEY CLARKE & THE HARLEM QUARTET

2013-10-13
Showtime: 10:30PM
Doors Open at 9:45PM

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BAR TABLE
$30.00 $45.00


“Friday night at the Montreal Jazz Festival, acoustic/electric bassist Stanley Clarke teamed up with the Harlem String Quartet, a cutting-edge modern classical group that not only proved itself capable of nailing Clarke’s complex charts but also demonstrated great capacity for content-rich improvisation. This wasn’t the kind of string section that pads and sweetens; [they] collaborated with Clarke as an artistic entity that displayed top-notch chops, sensitive ears and surprising guts.”

-Downbeat


[ Complete Show Schedule... ]
Stanley Clarke & the Harlem Quartet
FEATURING:
Stanley Clarke, bass
Michael Mitchell, drums
Beka Gochiashvili, piano

Ilmar Gavilán, violin
Melissa White, violin
Jaime Amador, viola
Matthew Zalkind, cello

Stanley Clarke was among the first bassists in history to double on acoustic and electric bass with equal ferocity and was the first bassist ever to headline tours, selling out shows worldwide. Exploding into the jazz world in 1971, he soon landed jobs with famous bandleaders like Horace Silver, Dexter Gordon, Joe Henderson, Gil Evans, and Chick Corea, with whom he formed the seminal fusion group Return to Forever.



In addition to his extensive work with RTF, Clarke's other notable collaborations have included the Clarke/Duke Project with George Duke, The Superband with Larry Carlton and Billy Cobham, and projects with Quincy Jones, Stan Getz, Art Blakey, Paul McCartney, and Keith Richards. Of course, he has also worked with Hiromi, featuring her as a member of his trio in his 2009 release Jazz in the Garden.

Clarke has won literally every major award available to a bass player: Grammys, Emmys, every readers' poll out there, all the critics' polls, and numerous Gold and Platinum certifications. He garnered his most recent Grammy Awards for his 2010 album The Stanley Clarke Band and for Return to Forever's 2011 release Forever.



The HARLEM QUARTET, praised for its "panache" by The New York Times, is currently the resident ensemble in the New England Conservatory of Music's Professional String Quartet Program. Its mission is to advance diversity in classical music while engaging young and new audiences through the discovery and presentation of varied repertoire, highlighting works by minority composers.

 

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